A Survey of the Bridge

Today Mr. Frost (John) and I went to the heart of downtown Najéra down to survey locations we believe contain the foundation of the original bridge.
Located over the Najerilla river, the brigde was origionally built in the 12th century, then remade in 1880.
John and I began by setting up the total station at various markers lined along the river. From there, we used the total station as a point of refrence to locate what we believe to be the foundation of the old bridge.
By using the total station to mark key points of the bridge, we are able to log any data collected with hopes to eventually investigate the age of the blocks.
There seems to be a thin layer of concrete covering some of the original foundation of the bridge. This could indicate a sort of recycling or repair of the original 13th century blocks.
Now that the points have been stored, we now have the exact locations of what we believe to be the original foundation. This will help any future investigation of the bridge.Total Station Over Localization Point


Wednesday, June 1st we left Madrid for Nájera. We stopped for lunch in a little town called Garray. We had lunch at a place called “El Denario.” The food there was wonderful. After lunch, we parted ways—Dr. Martínez and Jake went to Nájera to pick up John, and Sarah, Loissa, Scott, and I went to Numantia. Numantia is a Celt-Iberian site where there was a hill-fort the Romans tried to claim. The people of Numantia refused to follow Roman rule, and so the Romans placed them under siege for 14 months until the people of Numantia were starved out.

At the site, there were still remains of the original Numantian city, as well as the Roman rebuild. Also, there were two modern recreations of what the ancient houses would have looked like. The first house was a more typical Numantian style of house, while the other one had more Roman influences. The Roman style house had separate sleeping quarters, a more established oven for cooking, and an indoor area for animals. The Roman house was built using a loose-stone (no mortar) construction. The Numantian house was smaller, it did not have separate sleeping quarters, it had a small fire and chimney, and it had an outdoor place for animals. It was built using a wattle-and-daub technique (woven sticks), which was covered with mudbrick, and coated in plaster to protect from the rain. As we walked through the rest of the site, Scott pointed out to us the evidence of the older city as well as the evidence of Roman inhabitation.

When we left Numantia, we headed towards Nájera. When we got to Nájera, we unpacked. Then we headed to a local convenience store to get some food for dinner. While we were eating our dinner, we were approached by a cat that we have affectionately named Isadora, Dora for short. I really think I am going to love Nájera.

Shows the boundaries of Numantia
Shows the boundaries of Numantia


Roman-style house
Roman-style house
View of site with Numantian-style house in background
View of site with Numantian-style house in background

National Archaeological Museum

Tuesday, May 31st we visited the National Archaeological Museum in Madrid, Spain. The museum had great descriptions of the entire history of Spain including a display on the wall that was color coded and showed the history of Spain back into prehistoric times. Further into the entrance was another display with a three dimensional model of Spain where images were projected onto the surface showing the migration of man through the region over time. Seeing the projections across Spain helped us to better understand what we would be looking at or looking for once we reached our cites in Najera.DSCF1233Within the museum we saw many different exhibits about early human life, but my favorite by far was an exhibit about woven grass items from the Neolithic period (circa 3,000 BCE.) that were found in the Cave of Los Murcielagos in Grenada, Spain. The weavings were accompanied by a plaque describing the works and the types of items found along with the woven items. The woven baskets were found to be made of esparto grass and were dyed before they were woven. Additionally locks of human hair and poppy seeds were found inside of the baskets. Besides baskets, woven sandals had been found. I was especially interested in this exhibit because woven items and fabrics are often very fragile and do not withstand the test of time.

Before visiting the museum, all students were assigned a reading to speak about at the museum. I was assigned an article about The Crown of Reccenswith. The crown was a votive crown that was donated to a church by a Visigothic ruler, King Reccenswith. It was never meant to be worn, instead it would have been hung in a church and bring glory to the patron who payed for it. The lettering at the bottom of the crown say RECCESVINTHVS REX OFFERET (King Reccenswith offers this) in Latin. The crown has many inlayed Cabochon stones on the two hinged bands at the base.The entire crown is made with gold and precious stones, as well as cut and colored glass.

The final portion of the museum that we visited was the replica of a cave that had been found with many paintings from ancient peoples inside. The ceiling of the recreation had paintings of animals and a mirrored glass table was in the center of the room so that visitors didn’t have to crane their necks to see the paintings on the ceilings. The display in the room used weak and flickering lighting to give viewers a better understanding of how the paintings would have originally been seen. The low lighting along with the silence in the space seems to transport viewers to another time and awaken their spirit of discovery.

Covering the First Day in Nájera

Hello all!

To echo what Dr. de Brestian had mentioned in his last post, sorry for the long delay between posts on the blog. This past week-plus has been very tiring from the multiple perspectives of an acclimation to our new environment as well as just being physically and mentally exhausted.

As a bit of an introduction of myself, my name is Jake Hayward and this is my second consecutive season participating in the Najerilla Vally Research Project. I could not be happier with my decision to return. The amount of information that I was able to acquire last year on the project as well as the ability to continue learning from Dr. de Brestian, with the addition of co-director Dr. Victor Martinez this season, was too great of an opportunity to pass up.

Now to the actual post!

Thursday, June 2nd was our first full day in Nájera where we were actually able to go out in “the field” and commence the work we are conducting while here in Spain. Beginning at roughly 8:30 am CEST (Central European Summer Time) we headed up to Santa Lucia and familiarized ourselves with the hike and the area we would be working with. From doorstep to the site is a roughly 25-30 minute hike which is mostly enjoyable. No work was actually done while we were up here but this gave us a good idea of what we were going to be expecting going forward.

A view of Santa Lucia from the Castillo

After this short stop at the top of Santa Lucia we went into the city and stopped at the Alcazar, or fortress, of Nájera. This is a very neat site that we only had a brief opportunity to see. We were able to break for lunch after this.

After our lunch break we went back into the city to explore the monastery of Santa Maria la Real. This is an amazing place! The monastery was originally constructed in the 11th century by King Garcia Sanchez III of Navarre and continued to evolve throughout the centuries. It is now a must-see stop on the Camino de Santiago.

Santa Maria la Real

All in all this was a very busy day with a lot to take in. Thanks for checking in and make sure to keep coming back for updates!



First week of fieldwork — Part I


Sorry for the long delay between posts — we’ll have more to come very soon. This has been a long and exhausting week for everyone on the project, but a very fruitful one.

What have we been up to? Well, one of our project goals is to document all standing medieval architecture in the area of Nájera, Spain. We began this last summer, and are continuing the work this summer.

Three areas in Nájera received attention this week. The first is Santa Lucia, an area to the south of the city where there is textual evidence of early settlement. There are remains of an interesting structure, of unknown function, on top of the hill that marks this area.

A bit to the north is the Castillo, or castle of Nájera. Much of the structure was destroyed after the 1520 peasants’ revolt known as the Revolt of the Comuneros. The local inhabitants rebelled against the government and fortified themselves in the aging castle. After their defeat, the Spanish authorities ordered the building demolished in order to discourage further seditious activities. However, there are some visible remains as one can see here:

Our survey and GIS specialist, John Frost, at the Castillo
Our survey and GIS specialist, John Frost, at the Castillo

The third area in the Nájera area is Malpica, the site of the former Jewish Quarter. There are several structures in this area, the largest of which is the northern wall, of which a considerable stretch is still visible:

Malpica North Wall
Jake Hayward setting up for photo of the North Wall of Malpica

In total we worked three days at the above sites. What were we doing? That’ll have to wait until the next post!

Bosch at The Prado

On the second day of our stay in Madrid, we visited the Prado Museum. Our main focus was the museum’s 5th Centenary Exhibition of the works of Hieronymus Bosch. I was in awe over the vast number of people who came out to view the event.

Bosch’s colorful, religious art, projects a surrealism far beyond his time. Not only does his images of monsters evoke fear within the viewer, they also bring forth a whimsical connotation; bridging an Earthly gap between  faith and folly.  

I found myself captivated by his ability to use monsters as a way to guide his audience toward the path of righteousness. His art does not “sugar coat” temptation but instead, presents both the heavenly and demonic realms as Earthly qualities.

By blending animalistic and human features, Bosch is able to familiarize his audience with this monsters. He uses the obscurity of his creature to demand his viewers attention. From there, he is able to present the religious message within his images; leaving the audience fearful of the consequences of Earthly temptations.


We will all be heading to Spain in about a week, scheduled to spend a few days in Madrid and then head up to our base in Nájera. Our goals this summer are many, including continuing our documentation of medieval architecture in Nájera and studying Roman and medieval architecture and sculpture from the Iglesia de la Asunción in San Vicente del Valle. You can read more about our project on our website!

Among the techniques we will be using are aerial drone photography, photogrammetry, and reflectance transformation imaging. I recently talked about some of the things we’re doing on the ArchaeoTech podcast. Check it out!

Blog of the CMU Study Abroad program in La Rioja and Burgos, Spain

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